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For some reason, more shooters, dogs and pick-up boys take stray pellets when dove shooting than in any other shot gunning activity. There should be no reason for this. There's plenty of room, so guns are placed well apart with an eye to safety.
Nevertheless, in fields being harvested, there often are workers or farm animals in proximity - people on horseback or workers will edge into a shooting area, assuming that guns are prudent and will never shoot low. The point is, you have to be aware of this activity and aware at all times as to the position of fellow shooters and pick-up boys. The bottom line is: There is never any excuse for taking a low-angle shot (below 45 degrees). Get that rule in your head; it requires virtually no concentration and will certainly in no way inhibit your shoot. Don't take chances on shot angles - ever!
Check guns to make sure they're unloaded before leaving the ranch - recheck in the field and again on departure. Don't be offended if outfitters check them again. Everyone wants to be as safe as possible. Magazine shotguns should be carried with the receiver open; uncased doubles always broken when walking in the field, in a vehicle, or any time when not in shooting position. Don't hand loaded shotguns to pick-up boys. Also, don't let pick-up boys shoot. Some know-how and are competent shots, but this simply introduces another element of risk.
If your assigned location is a little off the flight line, or not productive, make sure you let your outfitter know; they will move you to a better place. Someone will always be close by. If you are taking a break from shooting, be aware of others around you. If you are in the open, you may be flaring birds away from others who are shooting. It is a good idea to always wear safety shooting glasses to protect your eyes. And protect your ears with plugs or a quality headset type of ear protector.
Many times during the shoot there will be birds in the air, including songbirds. Some of these are protected and should not be shot under any circumstance.
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